The last weekend of Oktoberfest is crazy and a steady stream of beer-fueled attendees makes its way downtown to the pedestrian Marienplatz area afterwards. There was a classical quintet set up in front of a department store and after listening to them for several songs I made my way down the street to where this group was playing.
The local trio, called White, consisted of a guitar-player/singer, a stand-up base player and a drummer playing one of those wooden boxes that you sit on, called a cajon.
They were absolutely incredible, and had a crowd of about 75 dancing, clapping and singing along for an hour. Even though they were German, all of the announcing and singing was done in English and the - even though they were young and mostly German, seemed to know all of the words, even to the older tunes. The lead singer referred to us as "Publico" and often insisted that we join in. At one point the drummer passed out sparklers for us to light for the playing of
"Here Comes the Sun".
Behind them, inside the department store, the cleaning crew was enjoying the music as well. One guy kept driving in circles with a floor-cleaning vehicle and waving his arms over his head. A man and a woman appeared with mops, dancing as they buffed the floor. At the end if the song, we - Publico, that is - and they band advanced to the window and everyone applauded each other.
Someone in the crowd gathered everyone's spent sparklers and lay them neatly on the sidewalk. A group of police advanced during a final song, seeming to enjoy it as much as the rest of us. The front man acknowledged their presence, understanding that it was time to end the concert. Coins were dropped in the open guitar case, a few CD's were sold and everyone left with a smile.
Friday, October 4, 2013
Thursday, October 3, 2013
Visiting the Ancestral Home in Germany
Yesterday, I visited the home and inn in Allendorf bei Frankenau Germany that was once owned by my great great grandfather Johann Daniel Krähling. His son, my great grandfather Conrad Krähling, emigrated to the United States in 1865, at the age of 19.
The timing of his emigration was fortunate as the American Civil War had just ended, and Germany was about to go to war with France. Luckily Conrad did not have to be involved in either of these conflicts.
Conrad arrived in Baltimore in September of 1865 and then worked for two years at a bakery in Washington DC in order to repay his uncle for his travel expenses. This must have been a tumultuous time in Washington, as it was only five months after the assassination of Abraham Lincoln. Amazingly, my father - who is still living, spent time with Conrad (his grandfather) who was a contemporary of both the brothers Grimm (who lived in the same part of Germany) and Lincoln.
In the family photo, you can see Conrad Krahling surrounded by his family at their home in Iowa. In the front row on the right (with the stylish striped knickers) is my grandfather, William August Krahling.
The timing of his emigration was fortunate as the American Civil War had just ended, and Germany was about to go to war with France. Luckily Conrad did not have to be involved in either of these conflicts.
Conrad arrived in Baltimore in September of 1865 and then worked for two years at a bakery in Washington DC in order to repay his uncle for his travel expenses. This must have been a tumultuous time in Washington, as it was only five months after the assassination of Abraham Lincoln. Amazingly, my father - who is still living, spent time with Conrad (his grandfather) who was a contemporary of both the brothers Grimm (who lived in the same part of Germany) and Lincoln.
In the family photo, you can see Conrad Krahling surrounded by his family at their home in Iowa. In the front row on the right (with the stylish striped knickers) is my grandfather, William August Krahling.
Wednesday, October 2, 2013
Creative Parking
Here's my rental car in the tight parking place at my hotel in Germany. It was my first day in years driving a car with a stick so putting in that spot was a bit of a challenge. It's actually sort of an elevator setup and when I got there, there were no spaces. A German guy driving a Smart Car arrived just after me and started fiddling with the hydraulic controls, trying to raise one if the cars, so he could park his on the platform below. I had visions of crushing someone's $80 K BMW and was all-to-eager to let him be the one to figure it out.
Fortunately for the BMW owners he couldn't get the controls to work and went upstairs to ask for help. He came back, saying that he had to exit the garage, which he accomplished with the kind of speedy U-turn that could only be managed in that space by a Smart Car and go to a different entrance where an even more bewildering car elevator could be used.
I began struggling to make a U-turn with my larger vehicle - usually remembering that I wasn't driving an automatic, when - much to my relief - someone vacated a parking space!
Twenty minutes later, with two or three exits from the car to check my clearance and extricate my suitcase from the trunk, thanking myself for having purchased the comprehensive insurance package, my car was safely and snugly parked.
Fortunately for the BMW owners he couldn't get the controls to work and went upstairs to ask for help. He came back, saying that he had to exit the garage, which he accomplished with the kind of speedy U-turn that could only be managed in that space by a Smart Car and go to a different entrance where an even more bewildering car elevator could be used.
I began struggling to make a U-turn with my larger vehicle - usually remembering that I wasn't driving an automatic, when - much to my relief - someone vacated a parking space!
Twenty minutes later, with two or three exits from the car to check my clearance and extricate my suitcase from the trunk, thanking myself for having purchased the comprehensive insurance package, my car was safely and snugly parked.
Tuesday, October 1, 2013
The Astronomical Clock
A crowd began to gather in front of the Astronomical Clock in Prague's Old Town Square. I positioned myself in the back, just in front of a restaurant, where I would have an unobstructed view when the clock began to chime at 7:00. It turned out to be a prime eavesdropping spot as well.
A tall slim man with greying hair arrived with his blond son, about six years old, and found a spot next to me. We all stared at the clock face in anticipation, although it was very difficult to tell the time from the astronomical clock face with it's bewildering assortment of hands, numbers and symbols for the signs of the zodiac.
The small boy seemed more interested in the restaurant behind us. "Why don't we just eat at that restaurant, Dad?" he asked in American-accented English. The dad didn't reply, so every few minutes, the son would repeat the question, emphasizing the word "that" a little more each time.
The dad would only respond with a dismissive grunt.
Then the son began to ask, every minute or two, how long it would be until the clock chimed. "Five more minutes," the dad would respond in slightly British-accented English. "Four minutes." Each time his answer was a bit more curt.
"How much more time now, Dad?"
"You need only look at the clock on top!" the dad snapped, pointing to a traditional clock high above the astronomical clock which I had not noticed before. It wasn't clear whether the son could read this sort of clock any better than he could the bewildering astronomical one.
"What's it like, Dad?"
"Some figures come out and rotate," the Dad explained in a tired-sounding voice and then switched to what sounded like a Scandanavian language and delivered a livelier explanation.
"No!" the boy responded. Is that true?"
"To tell you the truth it's been so long that I can't remember very well. I just remember that it was a bit of a letdown. My advice is to expect very little so you won't be disappointed."
After hearing this enthusiastic buildup, the son returned his attention to lobbying for dining at the nearby restaurant. The clock explanation seemed to have brought on a didactic chattiness in the father, who perhaps sensed the possibility of delivering a life lesson.
"That's a nice location for a restaurant, don't you think?" They probably have a steady stream of customers, don't you think?" The son responded non-comittally.
"You see," the dad continued. "Every hour of the day, all day, all night, for the entire year, a crowd gathers just like this one. They don't really have to search for their customers, they automatically line up here at their door."
The son was silent, so the dad continued. "Do you think they would serve good food in such a restaurant?"
"Yes?" the son answered tentatively.
"Imagine two restaurants. This one, where the customers line up at the door and another one where the owners have to work very hard to entice customers to come to their restaurant. Which do you think would be more likely to have delicious food with a staff that is always trying very hard to please their customers?"
The son was saved from having to commit to one restaurant philosophy over the other by the sound of a small bell ringing repeatedly, which signaled that the clock was starting it's display.
"Look, the skeleton is pulling the rope!" the father called out in a voice a pitch higher than the voice he had been using pre-skeleton. "I forgot about that!"
The crowd oohed as they watched and filmed. The skeleton, representing death, I suppose, caused a parade of twelve apostles to appear, rotating in two different viewing spots a bit above the skeleton. Their facial expressions were only slightly more life-affirming than that of the skeleton. There were other figures whose heads swiveled in a way that seemed to be saying what we were all thinking - "What just happened here?"
Meanwhile the son beside me was largely silent. The characters stopped their movements and a grander sounding, churchbell-like bell began to chime. The crowd quieted down and began to disburse.
I heard the dad's voice one more time next to me.
"That was better than I remembered!"
A tall slim man with greying hair arrived with his blond son, about six years old, and found a spot next to me. We all stared at the clock face in anticipation, although it was very difficult to tell the time from the astronomical clock face with it's bewildering assortment of hands, numbers and symbols for the signs of the zodiac.
The small boy seemed more interested in the restaurant behind us. "Why don't we just eat at that restaurant, Dad?" he asked in American-accented English. The dad didn't reply, so every few minutes, the son would repeat the question, emphasizing the word "that" a little more each time.
The dad would only respond with a dismissive grunt.
Then the son began to ask, every minute or two, how long it would be until the clock chimed. "Five more minutes," the dad would respond in slightly British-accented English. "Four minutes." Each time his answer was a bit more curt.
"How much more time now, Dad?"
"You need only look at the clock on top!" the dad snapped, pointing to a traditional clock high above the astronomical clock which I had not noticed before. It wasn't clear whether the son could read this sort of clock any better than he could the bewildering astronomical one.
"What's it like, Dad?"
"Some figures come out and rotate," the Dad explained in a tired-sounding voice and then switched to what sounded like a Scandanavian language and delivered a livelier explanation.
"No!" the boy responded. Is that true?"
"To tell you the truth it's been so long that I can't remember very well. I just remember that it was a bit of a letdown. My advice is to expect very little so you won't be disappointed."
After hearing this enthusiastic buildup, the son returned his attention to lobbying for dining at the nearby restaurant. The clock explanation seemed to have brought on a didactic chattiness in the father, who perhaps sensed the possibility of delivering a life lesson.
"That's a nice location for a restaurant, don't you think?" They probably have a steady stream of customers, don't you think?" The son responded non-comittally.
"You see," the dad continued. "Every hour of the day, all day, all night, for the entire year, a crowd gathers just like this one. They don't really have to search for their customers, they automatically line up here at their door."
The son was silent, so the dad continued. "Do you think they would serve good food in such a restaurant?"
"Yes?" the son answered tentatively.
"Imagine two restaurants. This one, where the customers line up at the door and another one where the owners have to work very hard to entice customers to come to their restaurant. Which do you think would be more likely to have delicious food with a staff that is always trying very hard to please their customers?"
The son was saved from having to commit to one restaurant philosophy over the other by the sound of a small bell ringing repeatedly, which signaled that the clock was starting it's display.
"Look, the skeleton is pulling the rope!" the father called out in a voice a pitch higher than the voice he had been using pre-skeleton. "I forgot about that!"
The crowd oohed as they watched and filmed. The skeleton, representing death, I suppose, caused a parade of twelve apostles to appear, rotating in two different viewing spots a bit above the skeleton. Their facial expressions were only slightly more life-affirming than that of the skeleton. There were other figures whose heads swiveled in a way that seemed to be saying what we were all thinking - "What just happened here?"
Meanwhile the son beside me was largely silent. The characters stopped their movements and a grander sounding, churchbell-like bell began to chime. The crowd quieted down and began to disburse.
I heard the dad's voice one more time next to me.
"That was better than I remembered!"
Friday, September 27, 2013
Baci
I'm riding in a train compartment on a train traveling from Milan to Genoa, Italy. I just finished a late-morning snack, a kind of chocolate and hazelnut candy from Perugia called "baci", or "kisses".
Inside the wrapper of each piece of candy is little piece of waxed paper with a saying, relating to kisses, written in several different languages. Mine say, "Lovers can live on kisses and water." It doesn't explain whether it is referring to the kind of kisses made of chocolate and hazelnut or the ones composed of lips and saliva.
Our train compartment contains an interesting mix of people. There are two Russians who speak no Italian, but a little English. They have tickets which say that they don't have assigned seats so they are here until someone comes along to claim their rightful place. Although there is also a bona-fide Italian man in the compartment with us, it had fallen upon me to use my best guessing ability and limited grasp of the Italian language and train culture to explain to them why they have paid the same amount as me, but are treated as squatters here in our compartment.
For awhile we also had a cute Italian college student with us - my cute American college student daughter has been assigned to a seat in a different compartment. The Italian student had a shopping bag from a store called Stradavarius which had a symbol of a treble clef as a logo. I wondered if she had a small three million dollar 18th century violin inside but she informed me that Stradavarius is actually a clothing company. That explains the smallness of the bag.
The most interesting occupant of our compartment, who was only here for about 30 minutes, was a wild-haired Italian woman who had strong opinions about everything which she delivered in rapid-wide Italian regardless of the nationality if the individual being addressed.
Her observations included a disdain for railroad rules that required her to sit in railcar 8 when she was perfectly content with us in car 5, a dislike of restrictions in general, an apology for Silvio Berlisconi and a skepticism about his being removed from running the Italian government for good and an unrestrained (and unanticipated) enthusiasm for Americans.
"Viva l'America!" she said as she left us.
To which the American replies, "Baci per l'Italia!"
Inside the wrapper of each piece of candy is little piece of waxed paper with a saying, relating to kisses, written in several different languages. Mine say, "Lovers can live on kisses and water." It doesn't explain whether it is referring to the kind of kisses made of chocolate and hazelnut or the ones composed of lips and saliva.
Our train compartment contains an interesting mix of people. There are two Russians who speak no Italian, but a little English. They have tickets which say that they don't have assigned seats so they are here until someone comes along to claim their rightful place. Although there is also a bona-fide Italian man in the compartment with us, it had fallen upon me to use my best guessing ability and limited grasp of the Italian language and train culture to explain to them why they have paid the same amount as me, but are treated as squatters here in our compartment.
For awhile we also had a cute Italian college student with us - my cute American college student daughter has been assigned to a seat in a different compartment. The Italian student had a shopping bag from a store called Stradavarius which had a symbol of a treble clef as a logo. I wondered if she had a small three million dollar 18th century violin inside but she informed me that Stradavarius is actually a clothing company. That explains the smallness of the bag.
The most interesting occupant of our compartment, who was only here for about 30 minutes, was a wild-haired Italian woman who had strong opinions about everything which she delivered in rapid-wide Italian regardless of the nationality if the individual being addressed.
Her observations included a disdain for railroad rules that required her to sit in railcar 8 when she was perfectly content with us in car 5, a dislike of restrictions in general, an apology for Silvio Berlisconi and a skepticism about his being removed from running the Italian government for good and an unrestrained (and unanticipated) enthusiasm for Americans.
"Viva l'America!" she said as she left us.
To which the American replies, "Baci per l'Italia!"
Thursday, August 1, 2013
First Game
It was the summer of 1958 or 59 and my dad was taking my brother and me to our first Giant's game. I remember finishing a French twist donut at my grandmother's apartment on San Bruno Ave. and then catching the 25 Bryant bus on the corner.
The bus fare was ten cents and you dropped your dime into a big metal hopper next to the driver. As the bus bounced along the driver would occasionally pull a handle on the hopper and you would hear this chugging, jangling sound as the fare box digested and sorted the coins. Sometimes as the bus lurched down Bryant St. the coins would noisily resort themselves without the aid of the driver.
Soon we arrived at Seals Stadium at 16th and Bryant, across from the Hamm’s brewery. There was a giant pilsner glass atop the Hamm’s building with yellow and then white neon lights that lit up steadily from the bottom of the glass to make it appear that the glass was being forever filled and refilled with beer.
To enter the stadium, you had to walk through a dank dungeon-like area under the grandstand and then open some swinging doors that brought you to the bottom of the stands. Instantly, your eyes were greeted by the brilliant green of a carefully manicured field like none that I had ever seen.
My dad showed our tickets to an usher and we climbed to our seats, choosing not to rent an optional seat cushion - thousands of which we would later see being hurled into the air at the end of the game.
The Giants were playing the Cincinnati Reds that day and Johnnie Antonelli was pitching for San Francisco. My dad told my brother and me to pay particular attention to the Giant's center fielder because he was a great player - I was so young that I hadn't yet become aware of Willie Mays.
As the game went on I became distracted by a couple of black men sitting several rows behind us, with empty seats between them and us. They seemed like they were angry with each other and kept arguing.
My hometown had a population of 1000, none of whom was black. I had once seen an itinerant black man in my neighborhood. In my small-town little-boy confusion, I was convinced that he was returning from the Civil War.
I couldn't resist turning my head to watch the two men at the game. They were mad at each other, weren't they? They sounded like they were ready to fight, but they kept smiling while they were doing it. One minute one of them would be poking the other one in the chest just like my brother Jeff did to me right before he popped me one, and the next minute he was slapping the other guy on the back and they
were both laughing.
I turned my head all the way around to get a better look.
"Don't look at me like that," one of the men shouted at me. "I'm gonna come down there and choke you!"
I turned my head and aimed my eyes toward centerfield. Willie Mays made a basket catch, his hat flying off and landing on the neon grass. I didn't look back again and when the game was over, kept my eyes on the steps as we made our way to the exit, trusting luck that I wouldn't get hit by a flying seat cushion.
I didn't look up again, except once, to catch one last look at the giant bubbling glass of beer before climbing back onto the 25 Bryant.
Tuesday, June 11, 2013
El Camino
We arrived at the hostel in Los Arcos in groups of two or
three, registered at the desk, and prepared to spend the night before
continuing the Camino de Santiago, the ancient pilgrim route across northern
Spain. The host, a Spaniard in his sixties, welcomed each pilgrim in Spanish
with a smile, mixed with a few words of the traveler’s own language. He asked how our Camino, our pilgrimage, was
going and offered words of support and humor.
On the desk sat a simple plate with several walnuts in their shells –
the unspoken message was to help yourself, you are among friends here.
Later,
several of us sat on the porch in front of the hostel and chatted in Spanish.
There was a
Spaniard from Cadiz with a gruff look, short-cropped hair and a three-day old
beard. He had his shoes and socks off
and was looking at the huge blisters on his heels that had formed after hiking
a dozen miles a day for several days.
Actually, they were no longer blisters – the blisters had broken and he
had tried to drain them and trim away the flesh so that they would heal,
leaving him with deep open sores. Now he
was explaining that he had had a tough day of walking and was planning to
return home for a week or two so that he could spend some time healing before
returning to the Camino.
A Brazilian man, about sixty years
old, was talking to him in a loud voice, almost as if he had had a glass of
wine or two. He spoke Spanish slowly and
loudly. He was like the comedian, the
storyteller in a bar who wanted everyone to listen to what he had to say.
“They’re
not so bad. I think you’ll be able to continue!”
“I don’t
think so. It’s time for me to go home.”
“No. Not at all.
They’ll be better in no time. You
just need to rest overnight!”
“Whatever
you say.”
“It’s
really no problem,” insisted the Brazilian.
Other
people nearby were grinning, amused by the false optimism of the
Brazilian. “It’s no problem for him,” someone said. Meanwhile, the man
with the blisters continued to scowl.
Soon the
Brazilian launched into another topic - extolling the virtues of a type of
liquor produced only in Brazil.
“It’s very
good, very strong. Sort of like grappa, but with a stronger finish. You must try it sometime.”
“Sounds
interesting,” said the man from Cadiz in a flat voice.
“You know,
there is something else we have in Brazil that’s better than what you will find
anywhere else in the world. You know
what it is?”
“Las
brazileñas?” joked the Spaniard with the blisters, looking up and smiling for
the first time.
The
Brazilian started to explain that this wasn’t what he meant, that he wasn’t
referring to the beautiful women of Brazil, but his speech was lost in the
good-natured laughter from the rest of the group.
“Why are
there so many Brazilians walking the Camino?”
asked a man wearing a red and black track suit.
“It’s
because we have a writer in Brazil – Paolo Coelho – who walked the Camino and
then wrote several books about it.”
“So that’s
why so many of you have come?”
“Yes, but I
don’t find the Camino to be the way he described it,” added the Brazilian. “He’s a strange writer. It’s as if he’s writing about his dreams,
nothing appears the way he has described it.”
“It’s like
the American writer, Hemingway,” said another.
“He wrote about Pamplona and now all of the Americans come there.”
“I like
Hemingway,” said the Brazilian in his usual straightforward way. “He’s direct and clear, easy to
understand. Not like those crazy dreams
of Coelho, who must have been on drugs.”
“Yes,
Hemingway was just drinking all of the time,” I said.
“You’re
American?” asked the man in the track suit, recognizing my accent.
“Yes, I’m
from California. But I need to go home
now. I’m taking a bus to Logroño and
then on to Madrid for my flight home. I don’t have time for any more walking.”
“Too
bad. You won’t be able to walk the
entire Camino.”
“Maybe like
me, you’ll come back and finish some day,” said the man with the blistered
feet.
“I hope
so.”
I stood up
to leave, looked at the group as they looked back at me. I hesitated for a moment, not quite knowing
how to put my thoughts into words. “Buen Camino,” I said, wishing them luck on
their pilgrimage.
“Gracias,”
they answered. “Buen Viaje – have a good journey home.”
I hoisted
my backpack, remembering how to walk in such a way that my own blisters hurt
the least, and headed toward the bus.
Friday, January 25, 2013
Chinatown
The guy who works at the parking garage thinks I’m Bruce
Springsteen.
“Thanks, Boss” he says when I hand him my seven bucks as I
drive out of the garage. Or maybe he
thinks I’m his immediate supervisor. He
seems to believe that we have a relationship, a friendship, a connection. Maybe he remembers me from last week? The truth is, I need his advice. If he’s my
fan, my employee, a colleague, surely he’ll help me.
I only want to pay three dollars and maybe he can tell me
how. On Saturdays you can park all day if you have your ticket validated by one
of the participating Chinatown merchants. Buy something for three dollars, have
them stamp your ticket and parking only costs three bucks. Your total cost is
six dollars instead of seven and you get a wooden backscratcher or a Chinese
finger handcuff as a bonus.
How many backscratchers can one person use? I only have one back, and it’s rarely itchy.
I could use one backscratcher, though, since my daughter and her fingernails have
gone away to college.
A finger handcuff is a handy thing to have, but once you’ve
incapacitated your index fingers, it’s really overkill to apply additional
units to the unincarcerated digits.
What are other possible three dollar purchases? Maybe the
parking attendant who thinks I’m his boss could help me.
I could tell him what I’ve tried already.
The fortune cookie factory where the cookies are baked in a
rotating oven where each cookie pops out of a die and a seated attendant places
them on a wooden form while still pliable and jams a fortune inside before
forming them into the familiar shape and allowing them to cool. The sign
informs me that it will cost me 50 cents to take a photo and the supervisor
further advises with an almost violent waving away gesture that (if I read his
body language correctly) we don’t do any stinking parking validation here
that’ll be three bucks for the cookies though.
The sketchy and not-so-clean Vietnamese restaurant with the
oh-so-scrumptious Bon Me sandwiches – as long as you avoid the infernally hot
peppers – that at $3.50 seemed the best solution and which was on the list of
validating merchants but unfortunately the almost-nice but also strict and
scary waitress had never heard about.
The bakery with the almond cookies that are sometimes given
to you at Chinese restaurants along with fortune cookies, these being bigger
ones, costing exactly three dollars with validation but filled with Crisco, not
very tasty, but despite this forcing me to consume all of them despite my
self-disappointment, before I arrived home.
Or the bakery with Dim Sum pastries and these fluffy pork
buns that are my favorite with the tasty barbecued pork center, like the sweet
filling of a Twinkie, buried in a white flour and sugar fluff which I also
devoured, this time before even returning to my fan/employee/friend at the
parking garage.
What should I do? I might ask him.
Buy something mundane each week, like a half-dozen apples?
Bring a soiled dress shirt to the cleaners and pick up last
week’s clean one?
Purchase a Mao hat and present it to a different friend or
relative each week?
Go to an herb shop, tell them what’s ailing me and have them
select the items to brew in a tea that will cure me until next week?
Or buy a weekly backscratcher and, after keeping one for
myself, give one away each week to the first homeless person I encounter.
This is what I would do, Boss. One of two things – but whichever one you
choose tells a lot about you. I’d either take the easy way out and pay the
seven bucks. Or I’d make a game out of it each week. Let the item find you – it’s out there waiting
for you. What kinda guy are you, Boss?
That’ll be three bucks.
One more bit of advice. Take that thing off your fingers
before you try to drive home.
Friday, January 11, 2013
Just a Smidge
A story of
miscommunication, wine glasses, and international intrigue
It’s kind
of ridiculous, really, to get that worked up about the size and shape of a wine
glass. I’m not talking about my
brother-in-law, who leaves a set of special huge bowl-like stemmed wine glasses
at our restaurant so that he can adequately enjoy the hearty
taste-like-the-soil-they-were-grown-in super Tuscan reds that he favors. He
maintains that it’s necessary to swirl the wine and then burrow into the glass
with your nose and inhale deeply. Then
you loudly slurp the wine into your mouth and siphon it through your teeth, swishing
it round your mouth before allowing yourself to swallow. Then he smiles while
he describes the licorice and leather while you marvel at how quickly his teeth
became temporarily stained.
No, I’m talking about how worked up
I get about my own preference in wine glass. I prefer drinking wine out of a
glass without a stem – what some people might call a tumbler, although that
term is now sometimes used for glasses that look like stemmed goblets with the
stems removed, and that isn’t at all what I’m talking about. What I like best
is a glass that looks like it might have contained Smucker’s grape jelly in an
earlier life. At the fanciest, I will accept the kind that’s short and tapered
and fits perfectly in your hand.
In fact, that’s just what I found
on a recent trip to Venice. I stopped at a little wine bar near St. Mark’s and
ordered a glass of local white wine. In my just-adequate Italian, I asked the
waitress to serve the wine in a small glass. She explained that they usually
only serve the house wine in a tumbler and that this is called an “ombra”, but
that she would serve my wine this way if that’s what I wanted. Later I found out “ombra” means “shade” and
that in the old days, the wine had to be stored in the shade at sidewalk cafes
in order to keep it cool. An unpretentious neighborhood bar might serve your
ombra in a tumbler, while a fancier place would serve the wine – always a small
portion – in a stemmed glass.
I remembered learning that it was
important to drink white wine out of a stemmed glass – and to hold it by the
stem – so that the heat of your hand wouldn’t warm the wine. I like the feel of
cupping the glass in the palm of my hand though, and figure that I’ll finish
drinking it before it gets too warm. The little tumblers seem like something
that my Italian grandmother would have used – they’re unpretentious and
friendly – something you would use if a friend dropped by with a bottle of wine
and you quickly grabbed a couple of glasses from the shelf.
Later in my visit to Venice, this
time with my son, we stopped by another wine bar and again I ordered some white
wine, requesting a pair of tumblers. The
waitress told us, without a trace of a smile, that that would not be possible,
and poured the wine into stemmed wine glasses. I tried to explain to her and a
nearby waiter that it was a quirky preference of mine, that I own a restaurant
back home and that the waiters all know about my curious tastes in glassware.
The two servers consulted and the waitress agreed to switch glasses for us, but
the stern face never changed.
As we sipped our wine, my son
pointed out to me that someone was talking to me. There was another waitperson
on the other side of the room, preparing some food. He was staring at me and
speaking directly to me, in Italian. I
couldn’t understand everything that he said, but I picked out the words
“cattivo”, “vino” and “bicchiere” – bad, wine, and glass. He seemed to be
scolding me, telling me that it was bad to drink wine out of inappropriate
glasses.
I was a little taken aback and
didn’t know how to respond. I tried to explain in a playful, joking manner why
I was amused by drinking my wine out of a humble, ordinary glass, but I didn’t
have the adequate grasp of Italian to state my case. The man’s expression and
the way he spat the words at me conveyed that he was not in the mood for a
lighthearted exchange of wine-drinking philosophy.
Needless to say, we finished our
wine rather quickly, paid our bill and fled from the decidedly unwelcoming
atmosphere. As we walked the streets of
Venice, in a kind of delayed reaction, I became angrier and angrier and more
and more puzzled until my son had to tell me that I was making way too big of a
thing out of a little wine glass.
As often occurs when something
unsettling happens to me, I went over the event again and again in my head. I
tried to figure out what had happened and worked out different scenarios of how
I might have responded. First I had to consider why the bar employee might have
become so incensed. This is what I
decided:
1. He
felt that I was not showing significant respect to the wine. I could not
adequately appreciate the delicate aromas and flavors if it were not allowed to
breathe properly and if it’s temperature were negatively affected by my sweaty
foreign fist
2. I
was putting on airs by claiming to be a restaurant owner who knew better than
the proprietors of a Venetian enoteca how best to imbibe an Italian wine
3. I
was suggesting something that was not the usual way of doing things, was
contrary to the rigid standard of how food and drink is served in Italy and was
not to be taken seriously, especially when accompanied by bad grammar and weak
repartee
4. The
American restaurant dictum “the customer is always right” which would require
an American restaurateur to allow a customer to drink his Chateau Lafit
Rothchild out of a soup bowl if he so desired, was not something that was adhered
to in Italy.
5. The
person who was speaking to me was simply a boorish, irritating and contemptible
fool
My ruminations didn’t just stop
there, though. That wouldn’t be any
fun. After returning to the U.S. I often
told friends about my adventures – which were 99 percent of a positive nature.
Eventually, though, I came back to the sad story of the wine glass, because it
still wasn’t resolved in my head. The more I talked about it and the more I
played the scene out in my head, the more I was able to develop alternate
endings to the confrontation. Here are
some of my favorites:
1. I
return my adversary’s glare and hiss, “Are you talking to me?” in a Joe Peschi
accent as I vault over the bar, shattering wine glasses – all of which will
soon be stemless as I make my way toward the terrified wine shop flunky, grab
him by the lapels and curse at him in flawless Italian as I explain to him the
concept of American-style hospitality.
2. I
invite my wine-etiquette expert to join me for a glass of wine. Using the “kill
him with kindness” approach, I suggest that he convince me of the merits of
using the traditional stemmed glass. We become best of friends and ever after
exchange Christmas cards written in Italian.
3. After
becoming frustrated with trying to explain myself in what must sound like the
conversational ability of a three-year old, I explode in a fifteen-minute
English rant all roughly formulated on the concept of the wine tumbler, but
really just an excuse to feel fluent once again. I circulate amongst the other
patrons of the bar, speaking to no one and everyone, just enjoying the sound of
my own voice until my horrified son and I are physically removed to the
cobblestones outside.
So now months have gone by and
I’m almost over it. I found a local restaurant that serves wine in even tinier
versions of the “ombra” and call it a “smidge”. I order wine in our restaurant
and the waiters serve it in my preferred vessel, with a smile. And on Christmas
day my daughter gave me my own set of wine tumblers.
Did I make a big deal about a
little thing? Yes, I did. Have I been obsessing about it for way too long? For sure.
Have I been driving friends and family a little crazy with all of the telling
and retelling and asking of opinions on the subject? Most definitely. Am I
going to go back to Venice some day and order many glasses of wine? I’m
thinking so. But now I have a new question to ask my friends.
Should I put my tumbler in my
carry-on, or the checked bag?
Subscribe to:
Posts (Atom)